![]() ![]() We have our winner - thanks for playing everyone!Įlsewhere at the Madcap Motel, 940 East 4th St., L.A., 90013 Thursdays from 2 to 9 p.m., Fridays from 12 to 9 p.m., Saturdays from 11 a.m. Sweepstakes is open to Los Angeles residents age 18 and up and runs from Thursday, Apat 12 p.m.
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In the case for the Maewing, one of the more popular early-game methods is to create a small box of billboards, leaving one side open for the Maewing to enter. One of the most popular way to trap mobile creatures is the classic method of building a trap. ![]() Once you obtain a quality Tek Bow or other high-end tranquilizing weapon, any Maewing should go down in only one or two shots even high-level ones. While it is possible to track them down thanks to the mobility provided by the starting Federation Tek Suit, this can put you in many dangerous areas. Even high-level Maewings will not take long to knock out as they have a meager torpor value.īeing an Omnivore, The Maewing will enjoy any type of food you will throw at it, with a preference for the usual Prime Meat, Mutton or Basic Kibble.ĭue to its cowardly intention of immediately jumping up into the air with extremely fast gliding and reaction, trapping a Maewing to tame it is preferred early. Other knock-out methods are also effective, but may not be as viable. To tame a Maewing, knock it out - preferably with Tranq Arrows before feeding it berries or meat (though meat is more effective). Maewings are fairly weak to any weapon, so long as you have a method to trap it. Tracking them after they glide may lead you to other dangers, however. Maewings are non-aggressive and pose little danger to survivors or nearby entities. The Maewing is fairly weak, meaning nearly any weapon can be used to kill it or knock it out. They won't fight back, but unless trapped, they will jump and then glide away, forcing you to track it down. The best way to kill a Maewing is trapping it (if wild) and killing it with a Bow. They're very fast, so you may have difficulty keeping up with one, even if you're using the Federation's suit. Rather, they seem inclined to flee by running or gliding away. Maewings are passive creatures and will not attack when provoked. This section describes how to fight against the Maewing. The stat completely replaces Movement Speed, and does not affect the speed of the Maewing. It can only be leveled up by a player.Īdditionally, each percentage in the Nursing Effectiveness stat makes the food satisfy babies' Food stat more by 1%. The Nursing Effectiveness stat increases the "trough's" range (10 meters at 100%). Maewings act as Feeding Troughs when Nursing is enabled. This makes it hard to retrieve the levels on a tamed creature, so this tool is only for wild ones, but gives a first impression, how well the stats are distributed. Note that after the creature is tamed it gets bonuses on some stats depending on the taming effectiveness. The stat-calculator does not work in the mobile-view, see here for alternatives: Apps For instance, cheat SetTargetDinoColor 0 6 would color the Maewing's "main body" magenta. This information can be used to alter the Maewing's regions by entering cheat SetTargetDinoColor in the cheat console. ![]() Hover your cursor over a color to display its name and ID. The colored squares shown underneath each region's description are the colors that the Maewing will randomly spawn with to provide an overall range of its natural color scheme. For demonstration, the regions below are colored red over an albino Maewing. This section displays the Maewing's natural colors and regions. Unlike both the platypus and flying squirrel, however, the Maewing is quite big - large enough for a person to ride. It also sports a large, flattened beak and pointy ears, and just below its back are large teats, used to provide milk to babies. ![]() As a result, it possesses body parts both useful for aquatic and aerial mobility, such as webbed feet, a rudder-like tail, and a membrane of skin that stretches between its front and back legs (called a patagium) that grants it the ability the glide and parachute. The Maewing is a hybrid creature crossed between a platypus and a flying squirrel. They can even steal enemy offspring by grabbing them. When tamed, Maewings make excellent parents, as they automatically take care of your babies. When threatened, Maewings will take to the skies, jumping into the air and gliding away at high speeds. Wild Maewings are docile creatures that aimlessly wander around the Eden biome, and can also be found swimming within its lakes and rivers. They genetically engineered it to be a wet nurse and surrogate parent for all kinds of baby animals.īabies supposedly find their milk irresistible. Our missing crew called this duck-billed glider a 'maewing'. ![]() Stick together and take one cannon out at a time.Strategy:There four cannons that must be destroyed. It's also good to take advantage of these practice battles to learn more skills that will help in the following Stages.Objectives: Destroy all cannons. Listen to the tutorials and learn more on combat. ![]() But don't worry, we will note those areas in the text and let you know the consequences of your decisions.Tip: Speak with everyone to get URLs, Email Addresses, tips, direction, and to trigger events.STAGE ONE: YOKOSUKA BASEPre-stage Events:Ryogo + Koike + Ryogo + Go with him + Move + Construction Zone + Ryogo + Move + JDF Facility + Move + HeliportWanzer Testing Site:Before going to the Construction Zone you might want to go to the Wanzer Testing Site. 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As you write, think about how each action, reaction, and decision will impact the state of this relationship. This is a general pattern of events, and there’s a lot that will happen in between these moments. However you set up the big breakthrough, it does have to come onto the page eventually.Īfter the breakthrough, they have to decide how they want to move forward. Your point-of-view character may realize this before they admit it out loud, or maybe it simply happens spontaneously in a dangerous situation. Maybe a secret is revealed, or one character has to choose between their enemy-turned-ally and an old ‘friend.’ This will vary based on your plot, but there’s usually a test put on the new relationship.Īnd finally, the characters have their breakthrough moment where they realize they’ve fallen for each other. These little moments of give and take–and of vulnerability–start to sow the seeds of trust.Įventually, something comes along that challenges this loyalty they’ve started to build. Maybe they’re camping out for the night, and one shares that they’re scared of the dark, so the other builds a bigger fire. ![]() Maybe one saves the other’s life, and the other repays the favor later on. It can also be more overt, but subtle can be fun.Īs the story continues and the characters are wary of each other, start putting them in situations where they can build trust. Maybe one notices the other has very shiny hair. Maybe one character has dimples, and the other notices. You also want to highlight any physical attraction early. In science-fiction and fantasy, which is most of what I edit, the characters have to go on some quest together. Often, these ‘enemies’ realize they need to work together toward something. Then, highlight the reason they come together. If it’s a mercenary hired to find a fugitive, let’s see that in action. Define what makes them butt heads, and you can even show readers on the page. Start with why the characters are enemies. Regardless, when you’re writing an enemies to lovers arc, there will be certain points in the narrative that build this relationship up. ![]() I’ve seen this play out over one book or four. How long your trope gets drawn out depends on your goals, your plot, and how you structure the relationship. This collaboration serves as a catalyst for their relationship to move out of the ‘enemies’ stage and onto something more. However they butt heads at the beginning of the story, they eventually need to work together toward some common goal. Maybe they’re rivals in a competition and both want the grand prize. Perhaps they’re soldiers from warring countries. The type of ‘enemies’ they are can vary from actual enemies to simple competitors. These ‘enemies’ have to overcome their differences or misconceptions about each other, and in the process, they fall in love. The enemies to lovers trope is when two characters start off as enemies and, over the course of a book or series, end up in a romantic relationship. How can you bring your pair together and make readers ship them? What is Enemies to Lovers? Storycrafting Writing the Enemies to Lovers TropeĮnemies to lovers is a popular trope, especially in sci-fi and fantasy novels. ![]() In this paper, we test a potential extension of the paradigm reported by Brocher et al. Indeed, it seems that the only precondition for a successful use of the paradigm is that the attentional shifts of interest correlate with differences in effort: More effort is required for the evaluation of stimuli that appear further away from eye fixation compared to those closer to the eye fixation (for a review, see ). The paradigm could therefore, in principle, involve a variety of tasks, and the participants would not necessarily need to be directed to attend to one or the other stimulus in the periphery (i.e., as long as task demands do not afford different amounts of effort). The great advantage of this reported paradigm is that the assessment of a participant’s breadth of attention does not hinge on the output of a specific task, such as the accuracy with which objects in peripheral vision are evaluated. With regard to their own results, Brocher and colleagues also concluded that the attention-window task, in combination with measurement of the pupil size, is a promising tool for testing specific features of the various processes that underlie perception and attentional shifts to peripheral vision. ![]() In visual search tasks (e.g., ) as well as in visuomotor tasks (e.g., ), researchers have demonstrated that pupil size can provide a general metric to assess attentional load. These findings complement previous studies showing that pupil sizes are modulated by attentional load when using attention-demanding visuo-spatial tasks. Furthermore, reacting to low contrast stimuli led to larger pupils than reacting to high contrast stimuli, and the inspection of such stimuli in the peripheral vision resulted in overall larger pupils than the mere detection of these stimuli. found that pupil size correlates with the size of the visual angle at which the two stimuli are presented relative to the fixation point: The further away from the fixation point the two to-be-attended-to objects appeared, the stronger the pupils dilated. They used a modified version of the attention-window task in the form of an attention-demanding conjunction task which requires attentive processing of two stimuli presented in the peripheral vision. explored the well-established link between pupil dilation, on the one hand, and task effort on the other without making use of foveal vision to two spatially separated stimuli. , who showed that pupil-light response is associated with covert attention, Brocher et al. used pupil size to investigate covert shifts of attention. even used the link between pupil light response and covert attention to letters of alternating brightness, whereas Binda and Gamlin suggested a connection of attentional processes and pupil light responses. It is widely known that the size of the pupil changes as a function of brightness (e.g., for a review see ), success in memory retrieval (e.g., ), and effort (e.g., ). This finding is useful for researchers who aim at understanding the human attentional system, including potential differences in its sensitivity to static and dynamic objects. dynamic) and the visual angle between spatially separated stimuli better predict accuracy of perception and pupil dilation than model without these sources of information. That is, regression models containing information on presentation mode (static vs. In this paper, we present experimental data suggesting that in an attention-window task, the pupil size can also be used to assess whether the participants attend to static, non-moving, or dynamic, moving stimuli. The main finding of previous studies is that the harder the evaluation of the stimuli becomes, e.g., because they appear farther away from the central fixation point, the stronger the pupils dilate. While behavioral investigations of visual attention have often made use of response accuracy, recent research has shown that the pupil size can also be used to track shifts of attention to the periphery. Such tasks have successfully been used to estimate a person’s breadth of attention under various conditions. It has been evidenced that in attention-window tasks, the participants fixate on the center of a screen while inspecting two stimuli that appear at the same time in parafoveal vision. ![]() ![]() But I feel like it’s cohesive.Īre either of you currently dating anyone? So the record was written from two completely different perspectives. I was like the oldest 26-year-old on the face of the planet, at least in my mind. And I was at home-I bought a place-and I was like Suzie Homemaker, settling in and bitching about my taxes and watering my plants. A lot of the album was written when she was falling in love and having her heart broken. When we were writing the songs on the album, Tegan was doing a lot of traveling, meeting up with friends, drinking and partying, and she was single, so she was kind of behaving like a 15-year-old. You’ve described yourself as being 45 and Tegan as being closer to 19. I assume that we’re going to live long, healthy, happy lives, and I’m sure we’ll branch out at some point, but we’re not rushing into anything. For now, I really like being able to write songs and then give them to Tegan and have her fill in the holes. We don’t really write together, and we live separate lives when we’re not on the road. We really think of ourselves as solo artists anyway. Have you ever thought of doing anything solo, without your sister? That just seems to be such an old-fashioned idea to most people it’s kind of arcane to talk like that. It’s almost to the point where you just have to give up on that old idea of music being sacred, of waiting for the record to come out and getting it from the record store. I don’t know how you could have a different attitude about it these days, because if you say that it bums you out or you hate it, then people get in your face. But the people who download the album early are the kind of people that are excited about music, so it doesn’t bum me out that much. We knew it would leak I was only surprised it leaked so early. How did you feel when you found out The Con was leaked more than a month before its July 24 release date? I always felt limited on the guitar, but through exploration of sounds in keyboard land, I’ve been able to really change and develop ideas on the guitar that mimic the melodies I like to create on keys. Having almost 12 months to write the songs for The Con gave both Tegan and me ample opportunity to experiment and write a zillion keyboard parts for the album. He brought keyboards and a moog to Vancouver to contribute some ideas and we were blown away by how it expanded our sound and relieved some pressure on the guitars. Matt Sharp was a big influence during the So Jealous recordings. You’ve shared tour bills with indie-pop bands like The Killers and Hot Hot Heat, and Death Cab for Cutie guitarist Chris Walla produced the album. I think that that line is maybe a watered-down way of saying that. ![]() Tegan can be very emotional and go for the heartstrings. There are all sorts of ways people have learned to get positive and negative attention. Some of us tell jokes, some of us are shy, some of us are troublemakers. Every human has a way of getting attention. I definitely do not do that, I think Tegan was trying to say that she does. One of the lyrics from your title track is “Nobody likes me, maybe if I cry.” Are either you or Tegan guilty of conning people into liking you by crying? This time around, our demos had very organic, “found sound” instrumentation…I think we have a tendency to be dark, and we fully embraced it and didn’t let ourselves pop it up to hide the stress or tension of the original compositions. I think that had a huge influence on the songs we were writing and the sounds we were creating in the studio. They love 12-string guitars and vintage gear. I loved working with producers John and Dave on our previous albums, but they tend to have a more ’60s/’70s jangle to their sound. Sara Quin: I feel like a lot of that has to do with production. Do you consider this album to be more mature? GO: The Con in many ways has a darker sound than some of your previous albums. Here, Sara candidly tells GO about the album, her hair, and her sister’s crocodile tears. The duo has just released its gorgeous and complex fifth record, The Con (Vapor Records). Rolling Stone magazine voted their last album one of the 50 best of 2004, the White Stripes covered one of their songs (“Walking With a Ghost”), and Grey’s Anatomy-which has an average audience of almost 3 million viewers-has placed a number of Tegan and Sara hits in its episodes. ![]() Nonetheless, they’ve made it into the mainstream. Let’s get this out of the way: Sara and Tegan Quin are not only identical twins, they’re also lesbians and Canadian. ![]() The continence care section discusses the impact of external female collection devices on catheter-associated UTIs. Their findings show that 12 GCT sessions enhanced hope and happiness likely improving quality of life. Farmitani, Farokhzadian, et al describe their analysis of GCT on 30 Turkish ostomy patients. Nunes, Martins, and Santos describe psychometric testing and adaptation of the Ostomy Skin Tool into Brazilian Portuguese. In ostomy care, international author groups tackle peristomal complications and use of group cognitive therapy (GCT) on hope and happiness in ostomy patients. Despite noted limitations, their findings demonstrate that silicone cover dressings used in the acute care setting for high-risk body areas are an effective component of evidence-based PI prevention and not just ritual. Sugrue, Avsar, Moore, Patton, O'Connor, Nugent and Budri analyze pressure injury (PI) prevention using prophylactic dressings via a systematic review and meta-analysis. The pragmatic strategies offered are a superb help in this endeavor. Wound care in diverse populations is targeted by Francis in her discussion of assessing and identifying skin disorders in skin of color. ![]() ![]() Further, they submit that IBD psychologists can offer special support to patients, families, and providers when faced with this challenge. They believe that the multidisciplinary team including WOC nurses should be involved in preparation. They ask who is the “right" provider to start the conversation about having the diversion. David, Michel, Dotson, Nwomeh, Boyle, Donegan, and colleagues target psychosocial considerations in pediatric IBD patients facing ostomy surgery. Crumley discusses possible reasons for inconsistent success of HAPI prevention across decades and uses federal initiatives (and perhaps unintended consequences) to question why pressure injury rates have not continually decreased. Two excellent “Views From Here" offer perspectives on wound care and ostomy care, respectively. The March/April issue offers much great information and food for thought. 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I mean, sometimes you just want to use a Katana because they are pretty cool and have good stats in PF. Metamagic Master (Wayang Spellhunter) - Frigid TouchĪt the moment that is what I have got going for me. Wayang Spellhunter- despite being brought up in the same forum contexts- was never errataed in the same way, but the effect is almost exactly the same, to the point that the d20pfsrd people added an editorial sidebar to their version of the Wayang Spellhunter trait that deals with the topic. My basic thought is a Melee support obviously with going a more debuff route with using Fridged Touch, Frostbite and Rimespell Metamagic. my gnome illusionist uses it to have a threatening ghost sound to flank for people, if he has nothing better to do. a reach metamagic acid splash that is still level 0 (and therefore can be cast every round) can be nice. While the FAQ's language (this trait was never. although in my experience having wayang spellhunter for a 0 level spell is nice, depending on what metamagic feats you have. This game will be level 3-4 starting from what I know and I have been poking my GM here and there about certain aspects of the character to make sure they are okay.īut I am drawing blanks on where I should go for my Arcanas and Feats beyond the point I have.Īrchetype: If an archetype replaces a class ability with a more specific version of that ability (or one that works similarly to the replaced ability), does the archetype's ability count as the original ability for the purpose of rules that improve the original ability? I have never played the Magus and I love the idea of the class. Magical lineage, Metamagic master (aka wayang spellhunter): These traits let us pick a spell and each trait gives us a free level to spend on metamagic. It depends on how the archetype's ability is worded. If the archetype ability says it works like the standard ability, it counts as that ability. If the archetype's ability requires you to make a specific choice for the standard ability, it counts as that ability. Otherwise, the archetype ability doesn't count as the standard ability. (It doesn't matter if the archetype's ability name is different than the standard class ability it is replacing it is the description and game mechanics of the archetype ability that matter.)Įxample: The dragoon (fighter) archetype (Ultimate Combat) has an ability called "spear training," which requires the dragoon to select "spears" as his weapon training group, and refers to his weapon training bonus (even though this bonus follows a slightly different progression than standard weapon training). ![]() Therefore, this ability counts as weapon training for abilities that improve weapon training, such as gloves of dueling (Advanced Player's Guide), which increase the wearer's weapon training bonus.Įxample: The archer (fighter) archetype gets several abilities (such as "expert archer") which replace weapon training and do not otherwise refer to the weapon training ability. Therefore, this ability does not count as weapon training for abilities that improve weapon training (such as gloves of dueling). ![]() This is the case even for the "expert archer," ability which has a bonus that improves every 4 fighter levels, exactly like weapon training. You get a specific hex, which levels as if you were a witch. |
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